Our Two Bedroom Story Character Review: Tsumugu Kido

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I decided to pick up a new Voltage Inc. character to try as I haven’t played a mobile game in a while and they were currently having their massive yearly sale. Although the sale has now ended, their yearly sale is the best time to try out their games since the prices re slashed on so many stories from 25%-75% off. If you’re not a fan of buying individual routes, I suggest waiting for these sales to occur before purchasing them.

After browsing the /r/otomegames reddit for some recommendations, I decided on Tsumugu Kido from ‘Our Two Bedroom Story’. I’ve played this title a long time ago when it first came out, and purchased the main story and sequel of ‘Minato Okouchi’ and ‘Kaoru Kirishima’ in the past.

It’s one of their more popular games that spawned a sequel title and I can understand why. Although the premise is rather bland and a rehash of the ‘forced living arrangements’ trope, the heroine is very refreshing and dedicated to her job. I believe back then it was one of their first games that introduced a very different protagonist in comparison to their older titles. The whole ‘step-sibling’ concept was incorporated rather poorly for most of the routes however, and clearly it’s only purpose was to serve as a reason for the couple to live together.

Despite this, I still feel that ‘Our Two Bedroom Story’ is one of their better titles and I did enjoy it back then when I first played it. What interested me about Kido was the literal ‘dual-personality’ aspect and how he actually had two different character sprites. This was quite different in comparison to previous Voltage Inc. routes and I was interested to see exactly how his route would play out.

Prologue Summary

The heroine temporarily moves into her new step-father’s home, only to find that it has already been occupied by a dishevelled, blunt and stingy man by the name of Kido. Speaking with a prominent kansai-dialect, he demands the heroine leave his home as he is the rightful owner of the place. Despite her protests, he childishly asserts that as he has already moved in first; she essentially has no say or claim in the matter. The protagonist has already moved all her things from her previous home, and the current circumstances renders her homeless.

She finally adheres to his living arrangement requirements, and agrees to pay rent for the next month until she is able to find another place. Although she is appalled by Kido’s love for money and unreasonable demands, she concedes that the current situation is far more desirable and less financially straining in comparison to living in a hotel.

The next day at work, she is excited that her efforts at the company had been recognised and her transfer request had finally been accepted. The heroine has been moved to the Seasonelle Department, which is the company section that every employee dreams of entering. It encompasses a group of the most elite journalists and news reporters within the company, working together in a high dynamic and fast-paced work environment.

To her surprise, she is not the only new worker entering the department. Another man by the name of Tsumugu Kido attends the same introductory meeting and the heroine is in awe of his skill and experience. He immediately leaves a lasting impression with his refreshing ideas for Seasonelle, despite it conflicting with the ace of the department Minato. He is unafraid to voice his daring ideas and handles himself with undisputed confidence.

Unlike the inexperienced heroine who struggles with all the new information at the meeting, Kido was head-hunted from another company due to his vast portfolio of publications and talent. She finds herself noticing the subtle similarities between Kido her co-worker, and the rude and dishevelled Kido at home.

She rules it as a coincidence that they share the same name as she is unable to bridge the disconnect between the two completely different personalities. Where the Kido at home is blunt, extremely rude and stingy; the Kido at work is full of gentle smiles, encouraging words and approaches his work with absolute efficiency. Unlike the shabby appearances of the Kido she knows, her new co-worker is exceptionally tidy, proper and emulates the ideal image of an elite businessman.

The heroine is immediately placed on a project with Kido as her support and she is determined to publish something worthwhile. In spite of the article being assigned to her, Kido quickly takes over the project and leaves little to nothing for the heroine to do. She is dismayed by the turn of events as although Kido’s methods are not wrong and far more efficient than anything she could potentially do; it was an article entrusted to her, to complete by her own efforts.

She is determined to prove her worth and at home that night, she begins to research new articles and content that even Kido himself did not include in his drafts. The Kido at home is surprised by her efforts, and asks her why she is trying so hard for a futile cause. She answers that she recognises her weaknesses, which fuels her desire to learn and improve herself to earn the recognition of her co-worker.

Afterwards, the Kido at work concedes to her wishes after seeing the content she produces and allows her to have a more active role in writing the article alongside him. Her relationship with both Kido’s continues to grow, and she finds herself slowly accepting the newfound company of her housemate. She begins to cook for the household in return for a reduction on rent and discovers that they share the same sense of humour.

They enjoy idyllic days together and fall into a comfortable routine of sharing dinner and watching comedy skits afterwards. Although they engage in their fair share of friendly banter, the heroine finds herself enjoying their conversations and her opinion of him gradually improving. However, she finds herself suspicious about the true nature of his work as she had never seen him dressed for it nor leave the house prior to her.

One night, she notices he had fallen asleep with the window open in his room. Despite his warnings for her to never enter his room, she worries that he may catch a cold overnight. She asserts that there would be no harm in sneaking in to close it, before taking her leave. However, she quickly becomes entranced by his sleeping face illuminated by the moonlight and is surprised at how unexpectedly handsome he is. Contrary to his usual dishevelled appearance, he had distinctly beautiful features that she never noticed before beneath his large frames.

To her shock, he briefly opens his eyes and she realises that the face staring back at her is none other than Tsumugu Kido; the prim, proper perfectionist she sees everyday at work.

Character Development

Admittedly, after playing through Tsumugu Kido’s route his character is not for everyone. Due to the complete disconnect between his two personalities at home and at work, it’s difficult to decipher which of the two represents his true feelings towards the heroine. One moment he’s incredibly rude and condescending to her, whereas the next moment he showers her with kindness and gentle words. It’s consistently hot and cold with Tsumugu Kido, and you’re completely at the mercy of his whims for the majority of the story.

It really raised questions as readers on the genuineness of his feelings and actions towards the heroine, due to the incongruity between his two personalities. To me the highlight of the route was actually the protagonist herself, and her refreshing approach in responding to Kido’s difficult personality. She is headstrong, resilient and determined in proving her worth to Kido despite the obstacles she has to overcome. She successfully earns his respect and recognition of her abilities at work over the progression of the story.

This is quite a feat in itself as Kido is well-known for his solitude at work and his ambitions to rise to the top of the company, without the assistance of others. He is arrogant and prideful in his abilities, to which no one can refute due to the quality of work that he produces. On top of that, he is remarkably handsome and considered the current most eligible bachelor at the company.

Kido finds himself equally perplexed by the heroine and becomes increasingly resistant to her attempts at getting closer to him. No matter how rudely he acts towards her and pushes her away, she remains kind and accepting of his true personality. She is the only one he feels the most comfortable around and feels no need to hide his less than desirable traits from her. Instead of being offended by his tirade of insults, she deflects it with ease and constantly has snarky and witty comebacks of her own.

Rather than stepping down and being intimidated by his actions, the heroine isn’t afraid to speak her mind and stand up to him. I actually found myself laughing out loud at so many of their interactions with one another and it was really refreshing and different in comparison to the usual character dynamics seen in the standard Voltage Inc. routes. It was so satisfying to see Kido’s reluctant acceptance of her as his equal, and gradually opening up to one another due to their surprisingly similar personality traits and interests.

There is notable character and relationship development throughout his route which was crucial to the good pacing of his story. When the heroine decides to enact a cooking strike due to Kido’s actions, we begin to see the change in his character and his clear shift in emotions towards the heroine. It was really sweet to finally see glimpses of Kido’s true self, and the subtle kindness within his actions rather than his words.

When the protagonist finally discovers the truth behind his past, it finally closes the disconnect between Kido’s two personalities and how he came to be the person he was in the present. His suffering, hard work and perseverance to finally achieve his current place in life is admirable and he is understandably jaded due to his experiences. I liked the focus and writing dedicated to the explanation of his past, as it was quite thorough and was a crucial aspect that revealed the complexities beneath his character.

He gradually falls deeper in love with the heroine and how she truly sees him as a person rather than for his monetary assets. This is the pivotal moment where we finally see Tsumugu Kido’s true self and emotions and it felt so satisfying to read. It was like all the heroine’s difficulties in overcoming his difficult personality and finally coming to truly understand him were worthwhile in the end.

Although his character personality and story may not be for everyone, I still really enjoyed his route and was surprised by how much I liked it in the end. It is quite difficult to get into initially because of how utterly abrasive and rude Kido is in comparison to the other Voltage characters I’ve played that encompassed a similar character trope. As Kido quite literally has a ‘dual personality and identity’ in every sense of the word, I felt his character and route were a direct reflection of this.

His personality is very extreme in both ends of the spectrum and swings wildly back and forth between the two. His emotions and actions constantly contradict one another which serves to both confuse and infuriate the heroine, as she is unable to distinguish his true feelings. The banter and light-hearted moments between the two serves to ease the tension and I was really impressed by how snarky and witty the heroine was, in responding to Kido’s antics.

I felt like she was definitely one of the best renditions of the MC in ‘Our Two Bedroom Story’. Although in the other routes she also exhibits determination and passion for her work, considering how infuriating Kido was at times; it also brought out the fire in her own personality.

Despite Kido being a new character to the game, he surprisingly has a lot of content already implemented due to his unexpected popularity. His route is a whirlwind of emotions from beginning to end, and has a very rocky and tumultuous start with his relationship to the MC. However, I do recommend giving his route a try as the conclusion to his story and the development of his character was well worth the read in the end.

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Period: Cube ~Shackles of Amadeus~ Review

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RELEASE DATE: 2016
PUBLISHER: Idea Factory & Aksys Games
PLATFORMS AVAILABLE: PS Vita (Japanese & English)
GAME LINK: Period Cube – PlayStation Vita

I was very excited to play Period: Cube ~Shackles of Amadeus~ as it is my first collaboration title with Aksys Games. I was provided with a copy of the game to review in light of its April 28th, 2017 release. I had been anticipating Period: Cube since Aksys Games’ announcement last year of licensing four otome titles in 2017, which I covered in my ‘Most Anticipated English Visual Novels of 2017‘ post. To my delight, the next out of the four to be released is Collar x Malice which was the one I had been looking forward to the most. You can pre-order the game from Amazon here, for the official release date of July 28, 2017!

What initially attracted me to Period: Cube was the incorporation of RPG elements, and an MMORPG as the basis for the universe setting. As I have played many MMORPGs since childhood, this brought about a wave of nostalgia for me. I was interested to see how they decided to approach the RPG gameplay and how much of it would be balanced with the visual novel aspect of the game.

Storyline ★★★

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-The Story- 

Searching for clues about your missing brother, you and your childhood friend Hiroya begin playing an online RPG called “Arcadia.”

You’re suddenly enveloped in a flash of light, and awaken to find yourself in a mysterious fantasy world. You discover you’ve been sent inside of the game, and learn that the only way out is to complete it. In a deadly world on the verge of collapse, you become the “Almighty,” the key to clearing Arcadia, and the secret weapon everyone is after.

You and your companions undertake a perilous journey, where love grows as the world falls apart. (Official Website

The website summary actually encompasses the story outline very well, so I won’t delve into it further here. Period: Cube has a very interesting premise that is reminiscent of the highly popular light novel and anime adaptation, Sword Art Online. It immediately appeals to fans of the MMORPG genre and the creators definitely showed their attentiveness to the finer details throughout the story. I loved all the little nuances and references, and they were extremely nostalgic as I’ve played RPGs since childhood.

If you’ve never played RPGs before, then the encyclopaedia entries are very detailed and explain everything concisely. The universe of Period: Cube demonstrated elaborate world-building and were highly reminiscent of aspects you’d find directly from a cohesive RPG title. The immersive overarching storyline really captures your interest and encourages playing all the routes in order to reveal the ‘complete truth’.

However, the plot had many integral issues in terms of storyline explanations and the development of character routes. There were many times throughout the game where I had to re-read many revelations in order to fully understand exactly what had happened, how the events occurred and why. This is a sign of flawed writing and pacing, as the crucial foundations of the storyline were not very concrete or coherent.

It had an interesting premise and collection of unique ideas that weren’t executed to the fullest potential. Many of the strange phenomenons in the game that transitioned into the real world were never properly fleshed out and left me in a state of confusion. I just had so many questions remaining, despite completing all the routes.

How were the players consistently pulled back into the game, despite not being logged in physically? How did this occur regardless of their location? How were the character’s data and minds inputted into the system to begin with? All they did was create a character, and for some reason in a flash of bright light they were sucked into the game. The whole concept of the ‘Period: Cube’ was poorly explained and evident in all the routes, since some characters converted into data could magically return after dying whilst others could not.

Period: Cube was also very difficult to play without a walkthrough and they really should not have used the combat selections as integral choices for the character routes. Although they seemingly didn’t appear to have any significance, they actually did. I was shocked when after thoughtlessly choosing several options, I ended up on a character route after an extremely short prologue and first chapter.

I was also on the completely wrong route and had to replay it several times through trial and error. If you’re expecting Period: Cube to incorporate substantial RPG elements, or have gameplay akin to the Fire Emblem series; then this game really isn’t for you. It is still a visual novel through and through, and only utilises the concepts of an RPG to further the storyline. The ‘combat system’ is extremely basic, and coded as decisions in the game; rather than having any substantial value.

That being said, I still really enjoyed reading the overall storyline of Period: Cube. It was unique, interesting and would appeal more to people who are familiar with RPGs. You can see just how many references are placed throughout the game, and relate to them as an RPG player. The translation was also quite good, with only very marginal typos from all the routes. Some phrasing of words could’ve been better, and there were some sentence cut offs from the original meaning in Japanese. However, they were negligible for the most part.

I would have preferred the prologue and common route to be longer, as you’re not even introduced to all the characters before being locked into their route prior to meeting them. You’re thrust into the game universe all too quickly, without proper build up and introductions. Each route took around 3-4hrs to complete depending on your read speed, which totals to around 30hrs of gameplay.

Character Development ★★★

WARNING! SPOILERS AHEAD! READ AT YOUR OWN DISCRETION!

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KAZUHA: As a protagonist, Kazuha elicited very mixed feelings within me. It felt as though every single bachelor fell in love with her at first sight, and their only reason for loving her was because of how ‘cute’, ‘innocent’ and ‘kind’ she was. Not to mention she looks exceptionally young in comparison to the rest of the cast, and age sixteen at most. Although she does develop as a character, it did not feel very satisfying nor was it a substantial change. She is able to stand by her convictions and beliefs by the end of the game for the sake of all the remaining players; and return to the real world.

Kazuha is determined and unwavering in her views of justice and the integral goodness that every person possesses, no matter how many terrible experiences are inflicted upon her throughout the course of the story. It is from finally coming to terms with her own strength, that she is able to call upon the powers of the Almighty. However, this blind trust is also her greatest flaw; she is constantly manipulated by others seeking personal gain and dragged around by all the bachelors fighting for her affection throughout the game.

I felt there was just so much more that could’ve been done with her character, considering all the RPG elements they incorporated into Period: Cube. As the game storyline revolves around an RPG universe, I would have really liked to see the heroine have some progression stat wise. At best, she would be level 5 by the end of the game. It honestly felt pathetic that she barely advanced any levels, when all the other characters were at least five times higher.

Realistically in any MMORPG, she should have never made it past a day in Arcadia without speed levelling and increasing her stats. Not only that, but her combat consists of mainly ‘buffing’ or ‘de-buffing’ allies and enemies from the backline. All the characters then proceed to praise her as if she was a godsend and no one else could’ve done the exact same thing. It felt like such a cop out that her level was pretty much negligible, and just because she’s the protagonist and ‘coincidentally’ the Almighty; she had the ability to one hit kill extremely powerful mobs.

It is because of her almighty status, that she receives constant protection and saved by the bachelors time and time again throughout the game. You would think that in a life or death situation, she would be more proactive to ensure her own survival. Thousands of people have died in the game, and yet Kazuha avoids hundreds of warranted deaths because she is the protagonist. Ironically, the only times when Kazuha is truly assertive in what she wants and wishes to do is in the bad endings of the game.

It was really disappointing to see how much great potential she had to develop as a character with the overarching storyline and universe, and none of these concepts were utilised at all.

I recommend playing the character routes in the following order: Radius → Astrum→ Demento → Zain → Libera → Hiroya→ Poyo-poyo due to storyline spoilers and flow of events. Poyo-poyo can only be unlocked upon the completion of Astrum, Libera and Hiroya’s routes. I have the completed walkthroughs for the game here.

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RADIUS: Renowned as a solo player who never forms parties with others, he is the strongest player of the demon faction. Radius is a powerful fencer, who owns the ‘Infernal Shadow’s Edge’ which is part of the Trinity of Swords required to clear the Ark; the final dungeon within Arcadia. Radius saves Kazuha when she separates from Hiroya and is attacked by enemies. He trades her his most prized Shadow’s Edge to regenerate her health, and Kazuha narrowly avoids death upon completion of the mission.

They temporarily return to the real world, and the two coincidentally meet one another at the hospital. He is cold, blunt and aloof and wishes to have nothing to do with the heroine. He sharply rejects her attempts at friendship and camaraderie, asserting that he works alone. The heroine is confused by the disconnect between his cold words and kind actions, as in spite of his uncaring demeanour; he had saved her life countless of times. She soon comes to discover the reasons behind his distrust towards others, and the suffering he has endured in the past.

Radius is extremely similar to Kirito from Sword Art Online, and jaded by the exact same experiences. He suffers from survivor’s guilt, after his entire party and close friends are killed on a quest expedition for the Shadow’s Edge. Radius is burdened by their final words, and believes himself to be a coward for abandoning his comrades. He views himself undeserving of the life given to him, and yet lacks the courage to face death. This confliction forms the crux of his character, and the inner dilemma that causes him to distance himself from others.

As a result, he finds Kazuha’s complete acceptance of her precarious situation bewildering; and becomes angered on her behalf. Radius views it to be extremely unfair, how she was unknowingly thrust into a life or death situation because of her honourable intentions to save her brother. Now she is being hunted by all of Arcadia, due to her status as a powerful ‘tool’ and disregarded completely as a human being.

Radius admires her inner strength and perseverance; qualities which he sorely lacks in spite of his physical prowess. As Radius spends more time with Kazuha, he comes to fall in love with these aspects of her personality and confides in her his dark past and inner torment. It is through his experiences with her that he is able to come to terms with his anguish, and relinquish the burdens he has carried for so long.

Radius’ route was initially quite irritating to play, due to his constant refusals of the heroine and his cold assertions for her to stay away from him. At every opportunity, he would assume she was stalking him and disrespecting his wishes of wanting to be left alone. He is very fickle in his emotions, and continually switches between resenting the heroine completely; to saving her every time she is in trouble.

However, as a character he develops significantly over the course of the storyline and has some great romantic moments with the protagonist. He becomes very soft towards the heroine when he falls in love with her, and priorities her wellbeing above all else. He is no longer afraid to die or face the future, if it is for her sake. Radius even bows his head to the guild Forte, and uncharacteristically begs them to party with him to save Kazuha.

He had the best CGs and romantic scenes with the protagonist in the game, and was unexpectedly passionate when in love. He also spent the most time with her in the real world in comparison to the other characters, which was reflective in his CGs. Radius’ route was overall the most well-rounded in Period: Cube, as it properly developed his character and relationship with Kazuha over the course of the story.

There was slow, notable progression and I could understand his reasons for falling in love with Kazuha. She had always looked at him as the person he truly was, rather than exterior appearances, fame or fortune. She is able to accept him within his darkest moments, no matter how many times he pushed her away and did not allow his cold rejections to faze her. Her own perseverance and selflessness for others inspires Radius to overcome his own personal demons and accept that it was not too late to atone for his past mistakes.

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ASTRUM: The famous guild leader for the dungeon speed-runners Clarius, and representative of the Angel Faction. Unlike the demon faction, the angels are organised and possess guild roles; enacting proper chain of commands and efficiently battle dungeons together. Although highly respected and revered for his immense strength and tactical game knowledge, Astrum is also well known as an avid role-player within Arcadia. Despite it being a game, Astrum’s mannerisms and flowery dialogue are extremely exaggerated and reflective of his in-game character role.

He is the owner of the ‘Divine Blade of Light’ which is the other piece of the Trinity of Swords required to clear the Ark. Astrum falls in love with Kazuha at first sight due to her beauty and status as the ‘Almighty Amadeus’ and lovingly refers to her by that title throughout the game. He rescues her and Hiroya in the woods, and welcomes them to the Celestial Palace.

However, his actions incur the wrath and jealousy of the other angels; as they view him treating Kazuha favourably despite being unable to use the powers of the Almighty. Hiroya’s presence as a demon is also unheard of, and the atmosphere becomes tense as they continually put off expeditions to the Ark; despite the impending Jaws of Death threatening to consume Arcadia.

I had very mixed feelings about Astrum’s route initially. I was intrigued by his appearance in Radius’ story as his direct counterpart and complete opposite in personality. I didn’t mind his roleplaying and found it hilarious, as it was in line with the RPG elements of the game. It added a lot more comic relief and a light-hearted tone to Astrum’s route. His character is also a reference to RPG players in real life, as many do actually enjoy roleplaying and I’m sure every RPG enthusiast has done it at least once before.

However, I found his overly affectionate feelings towards Kazuha difficult to believe and understand. He essentially falls in love with her at first sight without any proper build up or development. Astrum completely favours her over everyone else, despite the questions and anger directed at his complete disregard for his own position. As a leader, it was unfair that he showered her with special treatment without any proper justification or explanation.

Because of this, for the bulk of his route in spite of the kindness he showed to Kazuha; his feelings felt rather shallow and disingenuous. It felt as though his only reasoning as to why he had special sentiments towards her was due to her status as the Almighty, and because of how ‘cute’ and ‘kind’ she was. However, upon meeting his real life persona Asou Tohru… needless to say, I instantly fell in love with his character.

Sakurai Takahiro did such an amazing job with voicing Tohru’s persona, and perfectly captured his awkward social tendencies and mannerisms of speaking. He truly brought his character to life, and it always amazes me how he is able to play so many diverse personalities. Although I was initially confronted by his sudden rejection of the heroine upon meeting her in real life, it was explained quite well afterwards.

It revealed Tohru’s insecurities and his lack of self-esteem, as he was afraid that Kazuha had become disillusioned by how ‘uncool’ he was in the real world. A stark contrast to the confident and powerful leader of the Angels as Astrum, Tohru in real life is teased by his peers for his lack of social skills and constantly compared to Kazuha’s older brother, Shiki Hanamiya. No matter how hard he tried, his efforts remained unrecognised and forever labelled as second place.

This creates a major inferiority complex within Tohru, and he uses Arcadia as an escape from the real world. At least in the game universe, he could emulate the character that he aspired to be. I was really disappointed that they didn’t delve more into this backstory with Shiki, since it formed such a major crux to Tohru’s character and personality. It is through Kazuha’s belief in his abilities as his real life persona, that gives him the confidence to finally best Shiki.

She asserts that there are only things that Asou Tohru can do, that no one else can replicate. I found the long-running gag of Shiki completely disregarding Tohru’s presence hilarious, considering Tohru’s entire world revolved around being second place to him. Although I absolutely loved Tohru’s character, his relationship and feelings towards Kazuha at the beginning lacked a lot of foundational development and proper progression.

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DEMENTO: The notorious PK’er (Player Killer) who appears throughout all the character routes. Demento has the status of ‘Fallen’ which is branded on his chest as a symbol of killing other players throughout Arcadia. He captures Kazuha an innumerable number of times in Period: Cube and forces her to use the powers of the Almighty, at the cost of her own safety and life. He wishes to to see what would happen when a player affiliated with neither the angel or demon factions clears the Ark, and whether the whole world’s balance would be destroyed by his actions.

He was once apart of the guild Clarius and completed many dungeons in the same party as Astrum. However, he one day kills a Demon and experiences an unforgettable thrill that begins his downward spiral into corruption. Astrum overlooks the incident as Arcadia does encourage the killing of other faction players and Demento has yet to be branded. He becomes addicted to replicating the sensation and begins mindlessly killing all players of both factions. As a result, he is eventually banished from the guild.

It explained why Demento was so powerful despite his poor weaponry and levels. Players with the ‘fallen’ status are punished for their actions, reset their level upon killing and are unable to equip any items other than the basic default gear. As he regularly played with Astrum, it can be assumed he was fairly high level prior to his branding. Astrum forever lamented his decision and wondered if there was more he could’ve done to prevent Demento’s demise.

I had a lot of issues with Demento’s route and character overall. Regardless of his actions being committed in the game world, he still enacted irreversible murder without remorse. Thousands of people died from Idiopathic Coma in the real world because of his cheap thrill and he showed complete disregard for Kazuha in all the routes. He uses her for his own selfish means of entertainment, and I could not even fathom as to how Kazuha developed feelings for him at all.

This was exacerbated by the fact that his route is only three chapters long and branched directly from Astrum’s route. It then led to the question of: Astrum treated you with nothing but kindness, and yet for some reason you were compelled to fall in love with the guy who kidnapped and threatened to kill you? There was just so little time and writing developed to his character that I’m unsure as to why he was incorporated at all.

It became almost irritating and predictable at how without fail in every single story, he would appear sooner or later for no other reason than to cause unnecessary drama and create anguish by murdering other players. It was never truly justified as to why he killed players in Arcadia either, other than it giving him the sensation of truly being alive and some satisfaction in his monotonous daily life.

Why did he not feel alive to begin with? What were the reasons as to why he lacked so much purpose? If he had no reason for living, why did he pray for life every time he killed someone else? How can he wish for himself to live, when he killed others without thinking by the hundreds? His route was just so painfully ironic, it was almost laughable at how essentially nothing was explained about his character, past and reasoning.

In his good ending he suffers from amnesia and as a result, his crimes are ‘erased’ from his memory and enables him to have a bittersweet happy ending with Kazuha. To me, this was quite a cop out as countless people still died because of his actions but he is essentially cleansed of sin and responsibility. After all, even though the murder can never be trialled in the real world; the knowledge of his actions would burden him until the end of his lifetime. If not for his amnesia, he never would have been able to attain happiness.

Although he did have some cute moments with the heroine and one of the only few characters who had a proper kiss CG, I simply could not overlook his actions and poor writing for his story. His contribution to the overall storyline was minimal and regardless of whether or not he was in Period: Cube; it would not have altered the events of the plot at all.

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ZAIN: An NPC (non playable character) within the world of Arcadia, he usually resides in Adventurer Town to guide new players with tutorial information and provides quests to complete. Unlike other NPCs, he receives a reprogramming and orders to protect Kazuha. This gives birth to human-like tendencies, and a lapse in memory in regards to his original purpose and origins as an NPC. As Zain is originally not human, he experiences many difficulties in understanding human emotions and customs.

Zain is incredibly kind to Kazuha and very helpful in assisting her when she becomes separated from Hiroya. He quickly becomes extremely attached to her, as he experiences so many new things and powerful emotions with Kazuha. His feelings transcend into obsession, as he becomes consumed with unhealthy thoughts of possession and expecting Kazuha to mirror his own feelings. This angers his creator and causes immense confusion within Zain, as he become unsure of his own identity and sense of self.

Again, I had a lot of problems with Zain’s route. His overall storyline was extremely confusing for the most part and filled with many convenient plot holes that were never truly explained or fully delved upon. I could understand that Zain experienced a lot of turmoil due to his conflicting desires, the interference of his creator/the voices within his mind, and his lack of understanding with the nature of humans. However, a lot of his actions and key scenes with Kazuha were very disturbing and manipulative.

The scene where he forcefully attempts to merge himself with Kazuha, in order for them ‘to share the same feelings’ made me so uncomfortable reading. He was quite literally physically and mentally violating her, and forcing his own emotions and thoughts on her; something which he knew more than anyone else was mentally debilitating and extremely painful. His feelings towards Kazuha to me were very selfish, and entirely based on inciting guilt.

Kazuha would always feel guilty imagining how lonely Zain would be without her, and how she could never go anywhere without him because of how worried he would be waiting alone. It was just an unhealthy relationship from start to finish and due to Kazuha’s ‘kind nature’ she could never seperate from him for very long. It was also sad how the only method he could transcend from NPC to the real world with Kazuha, was through the death of Demento.

The concept of their minds merging was explained very poorly and all too coincidental for the events of the story to occur. Essentially in order to for them to be together, it required the death of someone else. Again, his route honestly didn’t really contribute to the story nor his character and I would have preferred much longer stories with the others who actually played a role in the overarching plot. It felt like he was implemented just for the sake of having another character and Zain’s route directly tied into Shiki’s story. It felt like it was two routes dedicated to Shiki, rather than a stand alone route for Zain.

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LIBERA: A nekama (person who portrays the opposite gender online) who uses his cute appearance and deceptively feminine mannerisms to attract the attention of countless males in Arcadia. He is surprisingly popular and amasses many friends with his outgoing and talkative nature. They regularly invite him on missions and gift him with rare items and gold, asserting that they’ll protect him on their quests.

Despite playing the game since beta, he is fairly low level and prefers to stay within town to socialise rather than accompanying parties on missions. He is also quite mischievous and haughty, often stealing other player’s gold and selling gifted items for his own benefit. Unlike the other characters in Period: Cube, Libera does not wish to clear the ark and desires to remain in the game world. He prioritises his own safety above all else, and fears death with every fibre of his being.

I found it pretty hilarious how throughout the game, everyone more or less doesn’t notice that Libera is a guy in real life despite how obvious it is from his voice. For the most part, I didn’t really feel the ‘romance’ aspect from Libera’s route. His initial feelings towards Kazuha and kindness are all fabricated, and he expresses vehemently that he only ever desired to use her for his own sake or to pawn off to a high-level player.

He views her as a prized asset that is beneficial for his own survival in Arcadia. Despite his cold words, when Kazuha is in trouble; he always manages to be there at the right moments to save her. Although he claims to prioritise his own life above all else, he constantly places himself at risk in order to protect Kazuha. This encourages the heroine to truly get to know Libera, and what warped his perception on the world.

His story is rather tragic, and explains Natsu’s contribution into the overarching storyline. He has been plagued by illness and a weak body since birth, rendering him to a sick bed at the hospital. As a result, he is unable to properly attend school and make friends; unknowing of which day would be his last.

His beloved elder brother Natsu is what holds their family together, and is admired and deeply respected by Libera. He is talented, handsome and intelligent; and decided to create Arcadia for Libera’s sake as the only thing he could play at the hospital were video games. The notion of transcending death and eradicating illness also enticed Natsu, as it would be the cure to his brother’s health issues.

It made sense as to why Libera preferred the social aspect of Arcadia, due to what he lacked in his life. He feared death because he knew better than anyone else what it was like to face each day, knowing it could be his last. In Arcadia, the options were limitless on what he could do in comparison to the monotonous life he lived in the real world. With Natsu’s accident, it shattered their family apart and he comes to believe that he should’ve taken his brother’s place.

Although he contributed immensely to the overarching storyline, the romance aspect of his route left much to be desired due to his age, and the rocky beginnings of their relationship. Not only that, but he created a female character which prevented him from truly expressing his feelings towards Kazuha for the bulk of the game. The romance honestly felt rather forced, and it was more befitting as a platonic route. I actually preferred a route with Natsu instead of Libera, since I felt they actually had chemistry in every story in Period: Cube.

It was really disappointing that the story was told from Libera’s perspective instead, even though it would’ve made so much more sense if Natsu was the selectable character. He had such an important impact on the creation of Arcadia and the overarching storyline, and I was genuinely surprised in how they decided to approach his backstory. The closest thing we got to a Natsu route was Libera’s good ending CG, where he essentially grows up to look exactly like Natsu (laughs).

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HIROYA: Kazuha and Shiki’s beloved childhood friend, and neighbour since they were little children. He has long admired Shiki due to his intelligence, strength and fortitude when it came to Kazuha, and aspired to be more like him for her sake. Hiroya is traumatised by Kazuha’s accident that left her prone to fainting and she experiences many lapses in memory as a result. He views it to be entirely his fault, due to his thoughtless actions as a child that inadvertently led to the accident.

He vows to become stronger and wholeheartedly dedicates himself to becoming a better man capable of protecting Kazuha. He reluctantly allows Kazuha to join him in Arcadia due to her heartfelt request to find her brother, which leads to the events of the storyline. The story branches when Kazuha either chooses to separate from him in Minta Woods upon an ambush, or decides to remain by his side.

I honestly felt really bad for Hiroya in all of the routes, because he essentially plays second fiddle to every single bachelor despite him being there for Kazuha from the very beginning. He accepts her choice no matter the circumstances in the end and supports her completely in her decisions. Hiroya only desires her happiness and everything he does is for her sake.

Although he makes a lot of Kazuha’s decisions on her behalf, he always tries to keep her best interests at heart. This is also an issue with his route, as he does not allow for Kazuha to decide for herself what she wishes to do and develop the confidence to voice her own beliefs. In Radius’ route, he completely dispels her concerns and tunnel visions on prioritising her own safety at the cost of her own wishes.

His route is very cute, fluffy and had a predictable romance because the feelings were always there to begin with. It is obvious no matter which route how much he cares for Kazuha and his feelings are as blatant as ever. Because of this predictability however, I didn’t feel as much attachment to him as a character. As the poster-boy of the game I did expect a greater focus on the romance with the heroine, and his contribution to the overall storyline.

There were really no surprises in his route, and follows the standard events and typical interactions reminiscent of the childhood friend trope. I did like his unhindered dedication and determination to improve himself in regards to the heroine, as it demonstrated out of all the bachelors that he truly was in love with Kazuha and it was understandable as to why.

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SHIKI: Normally I wouldn’t reveal the identity of this character (which I haven’t in my walkthroughs) but Aksys Games already spoiled it on their official game website. I do spoiler tag my character development section, as I personally find I cannot delve into my complete thoughts on a character, without revealing major events of their story. If you haven’t played the game in it’s entirety yet, I highly suggest not reading this character section.

Shiki is the elder brother of Kazuha, and the reason as to why all the events in the story occur. He created Arcadia in the pursuit of an eternal utopia, where humans transcend the possibility of death and illness. This is due to Kazuha’s accident from childhood, that instills fear within him that human lives are not indestructible and can be taken away in the blink of an eye. Young Kazuha asks Shiki to promise and fulfil her wish of living in a world without pain, and a world where they could be together forever.

This drives Shiki to grant her desire and he is able to access the Akashic Records; which is the embodiment of all knowledge within the universe, from the beginning of time. It provides him with the answers to create the world that Kazuha is seeking. However, due to her lapses in memory she soon forgets many of the moments they shared together and their promise.

Only Shiki alone remembers their promise, and this is why Kazuha found his actions so unfathomable throughout the entire story. It is due to this unworldly knowledge that enables Shiki to create technology far beyond the realms of human capabilities, and essentially achieve the level of a God.

It also explained as to why no matter how much Tohru tried, he could not surpass Shiki’s intellect and why he topped the university despite never studying. Due to his obsession with the notion of granting Kazuha’s wish, he disregards all other factors and obstacles impeding his success. He becomes warped by his fear of Kazuha eventually forgetting him or dying, and willingly sacrifices dozens of lives to ensure her wish comes true.

His feelings for Kazuha are on a completely different magnitude, and despite him knowing his actions were morally wrong; he was too far gone to stop. He is filled with regrets, self-loathing and ironically watches every other bachelor end up with Kazuha in all the other routes. I honestly found it difficult to believe that he was not Kazuha’s genuine sibling, due to their interactions and similarity in appearance throughout the game. Despite the constant assertions that they were not related, I found myself highly skeptical of it.

As a romantic interest, he was exceptionally creepy in his nighttime expenditures whilst Kazuha was sleeping and I inwardly cringed at many of their moments together. However, I felt his story definitely answered the many questions that were left open-ended in the other routes. It offered a plausible and holistic conclusion that tied up all the loose ends of the storyline, and was a satisfying read considering all the other routes never addressed Shiki’s conflict and reasoning for his actions.

He is left as an amnesiac and confined to the hospital in all the other stories, which really built the drama and anticipation for his route. His good ending made a lot of sense, as realistically he could never experience happiness otherwise. His stained hands and lonely years devoted in solitude to Kazuha’s selfish wish was irreversible and had completely twisted his personality. Turning back time was very befitting of the theme of the game, and enabled Kazuha the newfound confidence to relive her life without the impairments of her physique from the accident.

It returned the lively childhood and close relationship she had lost with both Shiki and Hiroya. It also provided Kazuha with the decisiveness to affirm her own feelings and stance when it came to her brother. In the new timeline, Shiki does not impose his emotions and desires on Kazuha, and is respectful of her decisions. She chooses of her own accord to be with him, and is finally able to truly fall in love with Shiki this time round.

What I liked about his route and all the other stories was that Kazuha never deludes herself into thinking she loves him, and genuinely reveres their relationship as platonic. It is only in the new timeline does she fall in love with his true personality. Although Shiki is cold-hearted and borderline insane in all the routes, I could sympathise with his character and reasoning. The bad ending itself was quite interesting, as it demonstrated rather literally how repetitive a utopia without death would be.

The characters relive the same day over and over, and although there is no pain or suffering; there is also no ‘true happiness’. It rectified the recurring motif and theme of the game, that life is a gift to be cherished in both the good and bad times despite the short life span of humans.

Design ★★★★

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This was one of the aspects that captured my interest from first impressions, and was definitely one of the highlights of the game. I loved how many MMORPG elements they incorporated into the design and artwork. For example: the outfits reflecting the class/race for each of the bachelors and even the side characters had very memorable and distinct costumes.

One of the notable elements of Period: Cube was that the main bachelors each had a different sprite for their real life appearances, and how they looked in game. As a player it was exciting to anticipate when you would eventually meet them in the real world and how they differed from their in-game personas.

The unique weaponry was also a very nice touch, as well as the additional ‘glow’ effects on special ability activations. The backgrounds were so incredibly gorgeous, and they really brought the game to life. It was reminiscent of the maps and dungeons typical to an RPG, and Kuroyuki’s art style definitely suited the theme of the game.

I felt that Period: Cube really brought out the full potential of the OLED PS Vita screen, and definitely showcased the impressive and crisp graphics. There were plenty of CGs for every bachelor, although I found that Kuroyuki (the artist for the Black Wolves Saga series) had a noticeable trend of drawing awkward half-kiss expressions on the characters in Period: Cube. As I have played her previous works before and quite liked her unique artwork, this was rather surprising to see.

It was disappointing as it felt like some characters definitely had better kiss scenes than others, and was a downgrade to previously released titles with art by Kuroyuki. In terms of consistency between the CGs and character sprites, then the game did fairly well. I really loved how many unique monster designs they incorporated into Period: Cube, and the definitive attentiveness to the RPG aspects were great to see.

Music and Voice Acting ★★★★★

For me personally, this was without a doubt the standout aspect and highlight of the game. I was amazed at how phenomenal the OST was, and loved all the tracks immensely. I was really impressed with the battle BGMs, especially “Battle Finale” since it honestly felt like something that would come out of a high-quality RPG game. Rarely do I ever hear a game OST and instantly feel the need to listen to the soundtrack on repeat.

The piano tracks were so lovely, and really inspired the pianist in me to actually try and learn them myself. The voice acting was fantastic as well, encompassing a highly prolific and famous cast line up. Even the side characters had very memorable voices, such as Jocus being voiced by Morikubo Shōtarō. They did such a great job at emulating the character personalities, and really built a strong level of attachment to all of them by the end of the game.

I personally felt Sakurai Takahiro (Astrum) especially, as well as Okamoto Nobuhiko (Hiroya) and Maeno Tomoaki (Radius) had notable performances in Period: Cube. As I already mentioned earlier, Sakurai truly captured how endearing Astrum’s character and personal conflictions were. I found myself laughing out loud, and feeling all sorts of emotions when reading and listening to his character’s dialogue. It’s amazing to see how well he can personify so many different character personalities, and my last game I played was him voicing Mejojo von Garibaldi from Black Wolves Saga — Bloody Nightmare —.

This actually gave me a lot of mixed feelings, because if you’ve played the BWS series you’ll understand exactly what kind of character Mejojo was. It’s just a testament to his skill as a voice actor, to be able to reproduce and play any type of character trope. It was also nice seeing Maeno again from Code: Realize as Lupin, and he perfectly expressed Radius’ transition from cold to loving towards Kazuha.

  • Astrum | VA: Sakurai Takahiro | 櫻井 孝宏 |
    Danganronpa series as Kuwata Leon, Black wolves Saga series as Mejojo von Garibaldi, Grisaia series as Kazama Yuuji, Naruto Shipuuden as Sasori, Final Fantasy series as Cloud Strife, Anohana as Atsumu Matsuyuki, and Psycho-pass as Shogo Makushima.
  • Hiroya | VA: Okamoto Nobuhiko |岡本 信彦 |
    Black Wolves Saga series as Pearl, Maid Sama! as Takumi Usui, Haikyu!! as Yuu Nishinoya, and Gekkan-Shojo Nozaki-kun as Mikoto ‘Mikorin’ Mikoshiba
  • Libera | VA: Hanae Natsuki | 花江 夏樹 |
    Taisho x Alice series as Ookami, Your Lie in April as Kosei Arima, Tokyo Ghoul series as Ken Kaneki, and Aldnoah Zero as Inaho Kaizuka
  • Shiki | VA: Toriumi Kousuke | 鳥海 浩輔 |
    Hakuoki series as Saito Hajime, Naruto series as Inuzuka Kiba, Danganronpa series as Kiyotaka Ishimaru and Nightshade as Momochi Chojiro
  • Radius | VA: Maeno Tomoaki | 前野 智昭 |
    Code: Realize series as Arséne Lupin, Taisho x Alice series as Akazukin, and Kenka Banchou Otome as Onaigashima Houou
  • Zain | VA: Hirakawa Daisuke | 平川 大輔 |
    Code: Realize series as Count Saint-Germain, School Days series as Itou Makoto, Hiiro no Kakera as Oomi Suguru, Taisho x Alice as Cinderella and Diabolik Lovers series as Sakamaki Raito

System ★★★★★

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The system was another fantastic aspect of Period: Cube and definitely matched up to the music and voice acting. I loved the system user interface (UI) and design, and it felt very crisp and smooth to navigate. The attentiveness to the detail reflective of an RPG were consistent throughout the game and followed the thematic motifs of Period: Cube. It really left a strong and lasting impression, especially if you’ve previously played RPGs and can relate to the references much better.

It provided statistic pages for all the characters, displaying their items/gear, class information and love affection towards the heroine. Depending on the events of the story, the HP Gauge of the character actually does change and I found myself checking on it periodically throughout the game.

The system incorporated great battle animations such as character sprite transitions upon using abilities, monster kills, spells, glowing weapons, affection increase etc. It definitely brought the RPG game elements to life, and I really liked the map movement of the game which reflected the time of day.

This is also shown on the game’s loading screen, which had three different landscapes based on morning, afternoon or night. Period: Cube had all the basic functions of a visual novel such as CG Gallery, scene recollection, music list, and save/load slots. I liked the extra unlocked character profiles of the bachelor’s real life personas upon completion of their route, and the bonus ‘his perspective’ segment that had a bit of fan-service dialogue.

However, I do wish these were a little longer in length and came with a CG as it’s technically the ‘after-epilogue’ endings of the routes. The skip speed was very fast and the jump button was a life saver considering how vague the options of this game were at times. This definitely helped so much when writing my walkthrough and manoeuvring through the game routes.

As Period: Cube is still purely a Visual Novel, the combat system was extremely basic; however, it was nice that the creators tried to incorporate it into the game. I personally didn’t think that they should’ve used the combat select options as important route deciders, as it made the game unnecessarily more difficult than it should have been.

The encyclopaedia is very useful and a helpful feature for players who have never played an RPG before and ensures that the game is enjoyable for a wider audience. However, for players accustomed to the RPG elements then the definitions were very basic and common knowledge. I also really liked the blinking, mouth and hair movements of the game, since it showed up really nicely with the PS Vita graphics.

Conclusion

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In conclusion, Period: Cube is a good game. With the stellar game design, system, voice acting and music; it definitely made it a worthwhile title to try and support english game localisations. It had gorgeous visuals on the PS Vita screen, and far better music and voice acting than I would have ever anticipated. It had an awesome opening and is sung by Joelle, who has contributed the vocals to other games such as Final Fantasy XIII-2 and Bravely Default.

It incorporated a notable amount of gameplay, CG art and many character routes to choose from. Although the storyline left much to be desired in its execution, it still had an interesting premise and captivating elements in all the routes. It really needed more cohesive explanations to some of the glaring plot holes in several of the character stories. The incorporation of the protagonist Kazuha with the combat system was also quite poor, and I was really disappointed by how minimally it impacted the storyline.

I honestly preferred less dateable characters overall, and more writing time devoted into fleshing out the bachelors that had significant contribution to the overarching plot. Personalities such as Zain, Demento and Libera were nice to have, but not necessary to the overall storyline. With or without their involvement, it didn’t significantly alter the key events in Period: Cube nor would I have sorely missed their presence.

I preferred more writing focus and character development on Radius, Astrum, Hiroya, and Shiki as well as replacing Libera with Natsu. To me, that would have offered a more memorable connection and attachment to the characters; as well as better explanations on the overarching plot. Rather than dedicating screen time to new character stories that were half-done anyways, they could have addressed the many prevalent plot-holes.

Although they incorporated a lot of cute character and relationship moments with all the bachelors, it wasn’t really enough to overlook the subpar plot explanations. I honestly felt stronger attachments to the side characters of the game, which is an indicator to how two-dimensional some of the bachelors really were. The highlight of Period: Cube was definitely the impressive world-building, music, voice acting, and UI design; and to me that was what really swung the game from a 3.5/5 to a 4/5 rating.

I do recommend giving the game a try, as I did enjoy the storyline and immersive graphics on the PS Vita. I particularly enjoyed Radius’ route and Tohru’s character, who were definitely the standouts from the game. Thank you again to Aksys Games for the collaboration, and I’m definitely looking forward to their next otome slated release of Collar x Malice on July 28th, 2017!

Overall Rating: 4/5

Written By Cherry

Period: Cube ~Shackles of Amadeus~ Poyo-poyo Walkthrough

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Official Website: Aksys Games
Game Link:
 Period Cube – PlayStation Vita
If you would like to read a full review of the game, you can read it here.

* Poyo-poyo can only be unlocked after completing Astrum, Libera and Hiroya’s routes. *

Common Route

  • Use knife
  • Use knife
  • Both of you, just calm down.

Character Route

Good Ending

  • Use knife
  • All right, I trust you!
  • If you say so, Poyo-poyo.
  • Then, I guess half is all right.
  • My brother could have come home.
  • I’m the one that’s sorry.
  • I’m sorry for worrying you.
  • … Tell me your favourite food.
  • Don’t say that, please.
  • Run
  • Apologize to Ira.
  • I don’t want a world like that
  • I won’t lie.

Merry Bad Ending

  • Title Screen → History→ Poyo-poyo Route → Chapter 7
  • Kazuha’s Almighty Level 4
  • Poyo-poyo’s Affection 0
  • I want to be with everyone
  • I love you.
  • I hope tomorrow will be a good day (repeat day)
  • But, something feels strange… (end day)

Period: Cube ~Shackles of Amadeus~ Hiroya Walkthrough

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Official Website: Aksys Games
Game Link:
 Period Cube – PlayStation Vita
If you would like to read a full review of the game, you can read it here.

Common Route

  • Use knife
  • Use knife
  • Hey, don’t attack Hiroya.

Character Route

Good Ending

  • We don’t have to rush.
  • Step back
  • You’re already helping me a lot.
  • I want us to work together, Hiroya.
  • Use knife
  • I need to ask Radius, too.
  • If it’s not a big deal, then tell me.
  • I think we can be honest.
  • You’re making me blush…
  • I really want to go with you guys.
  • Observe
  • Hiroya didn’t do anything wrong!
  • I think you should do it, Hiroya.
  • I don’t want to be separated from you either.

Merry Bad Ending

  • Title Screen → History→ Hiroya Route → Chapter 7
  • Kazuha’s Almighty Level 5
  • Hiroya’s Affection 0
  • How about Radius?
  • Don’t lose to my brother.

Period: Cube ~Shackles of Amadeus~ Zain Walkthrough

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Official Website: Aksys Games
Game Link:
 Period Cube – PlayStation Vita
If you would like to read a full review of the game, you can read it here.

Common Route

  • Use knife
  • Run
  • Run

Character Route

Good Ending

  • Scream
  • Yes. I trust you.
  • Thank you very much.
  • Then, you should find something.
  • You’re Zain, that’s who.
  • Please be here when I come back.
  • Use knife
  • I’m just glad you’re safe.
  • You’re special, Zain.
  • Poyo-poyo looks hurt.
  • Please don’t do anything cruel.
  • Do you promise?
  • Play harp
  • I wanted to talk with you.

Merry Bad Ending

  • Title Screen → History→ Zain Route → Chapter 7
  • Kazuha’s Almighty Level 6
  • Zain’s Affection 0
  • I was worried about you.

Period: Cube ~Shackles of Amadeus~ Libera Walkthrough

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Official Website: Aksys Games
Game Link:
 Period Cube – PlayStation Vita
If you would like to read a full review of the game, you can read it here.

Common Route

  • Use knife
  • Use knife
  • I think this person’s right…

Character Route

Good Ending

  • I think I’d like to rest.
  • I was just surprised.
  • You should come too, Libera.
  • Play harp
  • I want us to fight together, Libera.
  • You’re Libera, aren’t you?
  • I was just surprised.
  • Wait. I still want to talk to you.
  • I could at least go to the entrance…
  • I’m not going back.
  • That’s really sad.
  • Play harp
  • I’m sure you can do it, Riku.
  • Increase ally strength

Merry Bad Ending

  • Title Screen → History→ Libera Route → Chapter 7
  • Kazuha’s Almighty Level 4
  • Libera’s Affection 0
  • Have confidence!
  • Slow enemy movement

Period: Cube ~Shackles of Amadeus~ Demento Walkthrough

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Official Website: Aksys Games
Game Link:
 Period Cube – PlayStation Vita
If you would like to read a full review of the game, you can read it here.

Common Route

  • Use knife
  • Play harp
  • I said don’t talk about him like that.

Character Route

Good Ending

  • I can do it myself.
  • My heart is pounding.
  • I feel kind of bad.
  • Use bow
  • Thank you for worrying about me.
  • I’m alright, please continue.
  • Use bow
  • Yeah, that was a handle.
  • You’ve already finished it.
  • Increase ally strength
  • Demento, stop it!
  • I’m genuinely interested.
  • Use bow
  • Stop it already!
  • I’m not planning on dying…

Merry Bad Ending

  • Title Screen → History→ Demento Route → Chapter 7
  • Kazuha’s Almighty Level 6
  • Demento’s Affection 0
  • I’m sorry…

Period: Cube ~Shackles of Amadeus~ Astrum Walkthrough

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Official Website: Aksys Games
Game Link:
 Period Cube – PlayStation Vita
If you would like to read a full review of the game, you can read it here.

Common Route

  • Use knife
  • Play harp
  • It wasn’t him. It was my fault.

Character Route

Good Ending

  • I’m just a little embarrassed.
  • It’ll actually make me more nervous.
  • I’ll do everything I can.
  • Use bow
  • I was thinking the same thing.
  • Please, let me stay here.
  • Use bow
  • I’m sorry, Toru.
  • I can’t help you.
  • Increase ally strength
  • Astrum, stop!
  • You’re not at fault
  • Yes, I do.
  • Don’t push yourself
  • I’ll fight with you.

Merry Bad Ending

  • Title Screen → History→ Astrum Route → Chapter 7
  • Kazuha’s Almighty Level 5
  • Astrum’s Affection 0
  • Do we really have to fight?

Period: Cube ~Shackles of Amadeus~ Radius Walkthrough

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Official Website: Aksys Games
Game Link:
 Period Cube – PlayStation Vita
If you would like to read a full review of the game, you can read it here.

Common Route

  • Use knife
  • Run
  • Play harp

Character Route

Good Ending

  • Where did we meet before?
  • No, I won’t run away.
  • I’m sorry for asking.
  • Play harp
  • My friend is hospitalized here.
  • Thank you so much
  • Grab onto Demento
  • He’s my friend…
  • Mochi with grape filling
  • Both versions of you are cool
  • I don’t want to go home, though.
  • I wish I had been by your side
  • I’m glad you’re safe

Merry Bad Ending

  • Title Screen → History→ Radius Route → Chapter 7
  • Kazuha’s Almighty Level 5
  • Radius’ Affection 0
  • I missed you

The Charming Empire Review

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RELEASE DATE: 2014
PUBLISHER: OperaHouse, Dramatic Create & Dogenzaka Lab
PLATFORMS AVAILABLE: Windows/iOS/Android (Japanese) & Steam (English)

What initially captured my attention about ‘The Charming Empire’ was the beautiful art and interesting premise for the storyline. For a Dogenzaka Lab title, it seemed to have significantly improved in comparison to their previous games. I was pleased to see factors such as better translations, art and voice acting had been addressed. However, I was still very apprehensive of the game because of my past experiences with their titles.

I have only played their most popular game release which was the Men of Yoshiwara series: Kikuya & Ohgiya. Although I enjoyed them, they still had many glaring issues such as poor writing/translations, lack of voice acting and terribly looped soundtracks. I haven’t played any of their other games due to the poor reception they received.

I decided to try this game out in spite of my concerns, as I did like the art and improvements I could see at first glance. They also had some fairly prolific voice actors in their cast line up such as Kakihara Tetsuya and Tsuda Kenjirou which inevitably convinced me to purchase it.

Storyline ★★

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-The Story-

Our heroine, Amane Kosaka, was living a simple yet happy life in the countryside until one day she was suddenly taken away to live in the empire, summoned by her brother Soshi Amazaki — the current ruler. Though she was unaware of the underlying circumstances, she finds herself brought to this lively and palpable central city.

Living in the immaculate royal palace, our heroine comes to learn that the empire might not be as joyful as it seems.
Her brother is no longer the gentle man she once knew…
A corrupt organization secretly runs things behind the scenes…
The heroine’s fate guides her down the path of love. (Steam Summary

To the dismay of the heroine, she is whisked away to the capital of the empire against her wishes and for the most part confined to her room during the duration of her stay. She is subjected to many tutors on varying subjects such as history, etiquette and dance lessons in order to prepare for her debut into high society. Amane Kousaka becomes very lonely, as her brother is incredibly cold to her and completely withdrawn within his office. He immediately states upon her arrival that they can no longer have the sibling relationship they once shared from childhood.

To the heroine who has spent majority of her life within the peaceful countryside amongst her loving grandparents, the empire is a strange and lonely place. The servants do not wish to engage in conversation or friendship despite her continual attempts, and she longs to explore the city outside the castle walls. However, she soon comes to realise that the people of the city have become restless and dissatisfied with Soshi Amazaki’s dictatorship.

The citizens view him as a heartless tyrant, and the disparity between the rich and poor continues to grow larger day by day. Fires and violent outbreaks begin to appear in different areas across the city, and rumours of a rebellion to overtake the throne begin to spread amongst the people. Can Amane restore peace to the city she once loved? Has her brother truly changed from the kind man she once knew him to be? What are the secrets behind the political conspiracy kept hidden from her? Will she even find love despite the grim circumstances?

Although the game had a very interesting premise, the writing and execution heavily suffers due to it originally being a mobile game. The prologue is extremely short and abrupt, and you’re immediately thrust into the empire under orders from your brother. The sentences are short and condensed in order to fit into the text boxes that were meant for a small mobile screen.

The story is fairly fast paced and you’re barely able to form any attachments with most of the bachelors, before it moves onto the overarching storyline regarding the political unrest and rebellion occurring across the city. I felt the explanations and different perspectives on the linear storyline could have been fleshed out much better, and many of the endings and conclusions were solved far too easily.

It hints within all the routes that Soshi’s actions aren’t truly what they seem to be at face value, and he meets his demise before you can fully discover the truth in most of the stories (aside from Kagemitsu).

As a result storyline wise, many of them felt lacking and it was clear the routes were mainly used as a build up for Soshi’s story since that finally reveals the truth and the explanation behind it all. The plot is fairly repetitive due to it following a similar linear sequence of events that eventually leads to the different endings with each bachelor. What I do commend about the writing is that the translations have definitely improved in comparison to previous Dogenzaka Lab games.

There weren’t many typos or errors at all, which was good to see they had addressed one of their major criticisms in the past. However, the storyline of ‘The Charming Empire ‘ really wasn’t anything memorable. As it was originally a mobile game, the routes are very short. At a relaxed reading pace, each route took around 1.5hrs-2hrs to complete and the total game time would be anywhere between 10-15hrs overall.

If you’re expecting an immersive and detailed plot similar to Nightshade (which was released during the same month) then this really isn’t the game for you. Considering the total time it took to complete the entire game, you really can’t expect major character development or a complex storyline to fit within that time frame. It is at best a light and cute read that isn’t particularly memorable, but enjoyable to play nonetheless. Although the game definitely had some really cute character moments here and there, it really wasn’t enough to compensate for the subpar plot execution.

Character Development ★★★

WARNING! SPOILERS AHEAD! READ AT YOUR OWN DISCRETION!

I personally recommend playing the game in order of: Yoshimine Kei → Koichiro Sera → Tanba Toki → Togawa Kagemitsu → Amazaki Soshi due to spoilers and the storyline flowed best in this sequence. Although you can switch up between the characters, Amazaki Soshi should definitely be played last otherwise the storyline loses it’s impact. I have a complete walkthrough of the game here.

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YOSHIMINE KEI: Kei is the heroine’s private tutor, and a captive former prince of the empire. He is essentially a prisoner of war, although he has been fortunate enough to not have been placed in the dungeons. Kei resides within the castle itself, and spends his days reading or in the castle gardens. He bears extreme hatred and resentment towards Amazaki Soshi, as he destroyed his beloved home and took away everything he once held dear. Kei’s family, the former King and Queen of Yako were murdered under false claims of breaking their peace treaty with the empire.

As a result, he is hostile towards the heroine due to her relationship with Soshi and distrusts the people within the empire. However, the protagonist finds herself wanting to know more about Kei; as although he is rude and brusque, he is an exceptional teacher and carries himself with nobility and grace due to his upbringing. He shows glimpses of kindness towards her, and is the only person she can regard as a friend within the castle. Kei’s company alleviates the loneliness she feels due to Soshi, and as they grow closer she comes to discover that Kei is easily embarrassed.

Although I picked Kei first as I liked his character design best, I did not expect to enjoy his route as much as I did. His relationship with the heroine was just too cute, and Kei is definitely a tsundere through and through. His moments of shyness and embarrassment towards the heroine’s obliviousness really grew on me as I progressed with his storyline. I felt the writing was best showcased within Kei’s route, as the pacing and descriptions of their interactions with one another were quite well written.

He developed significantly over the course of his route, and it was nice seeing his slow transition from complete distrust of the heroine to opening up to her about his past, fears and true feelings. I also felt the heroine was really proactive in getting to know Kei, and their feelings developed quite mutually.

The gift of the ‘Water Moon’ from Kei was just so cute, and was definitely a pivotal point of their relationship. I really liked the CGs for Kei’s route, and felt that they were definitely the best overall in the game. His route was very light-hearted, sweet and had plenty of cute moments together with the heroine. His route can be read as a stand alone separate from the others, as it doesn’t really delve too much into the overarching plot.

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KOICHIRO SERA: The heroine’s unsociable bodyguard who has been assigned to protect her during her stay within the castle. Despite her continual attempts at conversing and offers of friendship, Sera rebukes her as he views they are not apart of his job description. This does little to deter Amane, as he is the closest person to someone she regards as a friend. Although he is admired for his skill in combat, his very own soldiers at the castle view him difficult to work with; which greatly saddens Amane.

As the protagonist gets to know Sera better, she realises that his brusque mannerisms contradict the kindness and consideration of his actions. However, she soon becomes suspicious of his underlying intentions due to overhearing his conversations with others in regards to plans for the empire.

Sera’s route begins to delve more into the overarching plot of the rebellion, and there is less focus on their relationship development in comparison to Kei’s route. It is revealed that many of the castle workers are secretly rebels that were allowed access into the grounds through Sera’s authorisation. The heroine is shocked by this realisation out of fear for Soshi’s safety and Sera’s actions are akin to treason.

Sera is forceful and adamant that it is a necessary evil to destroy and kill Soshi, for the sake of invoking change within their now corrupt city. He presses onto Amane that she must accept her birthright, and ascend to her rightful place on the throne. This serves as the main source of conflict within the route, as the protagonist laments that Sera only protected her due to her integral position rather than his own personal desire.

I didn’t enjoy Sera’s route as much due to the sudden incorporation of the overarching plot that really disjointed the overall storyline pacing. The route initially begins with the two slowly opening up to one another, and the development of their relationship. However, upon the revelation of Sera’s plans for the rebellion and his intention to have Amane ascend the throne; all that prior development goes out the window.

Sera abruptly changes into a completely different person, and becomes forceful in his approach towards Amane. He disregards her concerns on the responsibilities of overtaking the throne, and her lack of political knowledge to rule a country. He is insistent that it is the only solution to their problems, without taking into consideration the protagonist’s feelings at all. It just felt like such a major step back from all their progression thus far, and they completely rushed the transition into the overarching storyline.

As a result, I couldn’t help but question the legitimacy of his feelings towards her and he is all too easily forgiven when she eventually concedes to taking over the throne. Although I do like how in his route Amane proves she is capable of becoming a hard-working and caring leader for her people, their overall relationship pacing felt too disjointed and lacked a lot of necessary development.

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TANBA TOKI: Toki is a flirtatious cafe owner, who rescues the heroine from a pick pocket on her first adventure into the city. He is incredibly popular amongst women due to his handsome looks and charisma. Toki is beloved by the customers who visit his popular cafe, which serves many western styled teas and confectionary. The heroine quickly becomes infatuated by his kind demeanour, the lively atmosphere of the cafe and his signature baumkuchen.

She begins to secretly use the hidden passageway underneath the castle to visit him everyday in the city, despite the risks of getting caught. Soshi immediately notices this and grants her permission to visit the city in the afternoons until sunset, after her studies conclude for the day. Amane is delighted by this, as it is the first semblance of kindness he has shown her since her arrival (and from the two routes so far).

Toki’s route is interesting because it is the only storyline that mainly takes place within the city, rather than in the castle grounds. It is clear from the beginning that there is more to Toki than his kind demeanour, although the heroine wholeheartedly believes in his sweet words. They share some very cute moments together initially, with Toki claiming that she is very precious and dear to him; different from all the previous girls he has been with.

He expresses that he genuinely means the things he says to her, and the heroine quickly falls in love with him. However after an outbreak of arson within the city, upon the heroine’s usual visitation to the cafe; Toki is incredibly cold to her. He rebuffs her attempts at reconciliation and offers for help with the injured. He states that a person of her status could never begin to understand the suffering of the poor, and her very presence within his cafe invokes resentment from the people.

He dismisses her completely, and insists that it would be best if she does not return as they are from two completely different worlds. Realising the futility of her actions, the heroine regretfully leaves. As the days pass, she is unable to forget her feelings for Toki and resolves to see him one last time before her wedding. However, she is captured in the secret passageway and imprisoned within the cafe hideout.

She comes to the realisation that the cafe was in fact a meeting place for the rebels, and Toki was the forerunner in leading the people. Toki visits the heroine and claims that he had only befriended her due to her status and money; and it is only through her actions that he was able to make it this far with his plans. His feelings for her had never been genuine, and she had been a pawn within the rebellion. Many of his strange actions up until that point now all make sense, and the heroine is left feeling bitter and betrayed.

Toki’s route suffers from the same underlying problem as Sera’s, where the transition into the overarching storyline was far too sudden and disjointed. Rather than feeling shocked at the betrayal, it was more so confusing and didn’t make much sense. Toki went from claiming how precious the heroine was to him, to treating her as a tool the next moment. It was like they rendered all previous relationship development between the two as obsolete, and the drama was forcefully incorporated just for the ‘shock’ factor.

Amane is quick to blame herself for the incident and is far too understanding of Toki’s behaviour, despite the treatment she has received. She is a helpless victim in the overarching political turmoil, and condemned by Toki for deeds she did not commit. She has shown Toki nothing but genuine kindness throughout his route, and he holds her responsible for the suffering of the people; despite only recently coming to the empire.

And then because she loves him and due to the few moments of kindness he had shown her; he is quickly forgiven and they end up happily together. I just could not view their relationship as genuine considering the events that occurred and found it incredibly unrealistic. I especially disliked the abrupt transitions of Toki’s feelings. It alternated between being smitten with the heroine, to resenting her with every fibre of his being, and then suddenly completely in love with her again.

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TOGAWA KAGEMITSU: Kagemitsu is the childhood friend of both Amane and Soshi Amazaki, the current ruler of the empire. He is his right hand man and trusted adviser, and shares idyllic memories with the two siblings from their lives in the countryside. As children, Amane had always loved Kagemitsu and wished to stay with the two of them forever. Initially she does not recognise Kagemitsu upon their first meeting, as she had not seen him for many years. She is surprised by his newfound maturity, and is overjoyed to have a companion within the lonely castle grounds.

After witnessing her being bullied by her personal tutor, Kagemitsu angrily stands up for Amane and replaces her. His lessons prove to be both effective and enjoyable, and Amane rapidly learns about the history and culture of the empire. She soon looks forward to their afternoons together drinking tea and strolling through the gardens, reminiscing of the happier times they once shared together as a trio in their youth.

Kagemitsu’s story is very much so connected to Soshi’s route, and significantly builds on the overarching storyline. I recommend playing his route prior to Soshi’s, as it offers a lot more information and further delves into the main plot. I genuinely felt the explanation within his route was much more clearly explained, in comparison to Soshi’s reveal about the empire and the nature of the rebellion. As a result, I felt that his character purpose was more so as an extension that led into Soshi’s route; rather than his own stand alone story.

The romance really took a backseat in Kagemitsu’s route, and there really wasn’t much character development on his part at all. He was the same kind, childhood friend that Amane had always remembered, and doesn’t really deviate from that character role.

As the two had always shared mutual feelings towards one another, there really wasn’t much relationship to develop as the foundations were already there. Although there were some romantic moments between the two, his route was rather disappointing and not at all memorable as a stand alone story.

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AMAZAKI SOSHI: Soshi is the protagonist’s older brother, and the current reigning King of the Empire. Amane is dismayed by his abrupt request to remove her from the countryside, and she becomes exceptionally lonely during her stay. He is initially cold to her, and rectifies that it is impossible for them to share the same sibling relationship they once had. This does little to deter the protagonist, as she continually attempts to socialise with Soshi and creates opportunities to spend more time with him.

However, over the duration of her stay she begins to hears of rumours of a rebellion as well as the people’s disillusionment with Soshi’s dictatorship. They view him to be a heartless tyrant who cares nothing for his people, and leaves the poor to fend for themselves; despite the constant outbreaks of arson and violence.

The heroine finds herself unable to distinguish the truth from lies, and begins to lose faith in Soshi. Although she genuinely wants to believe he is the same Soshi from her memories, his actions of constantly pushing her away and leaving her in the dark do little to reassure her concerns.

The threats continue to increase, and the possibility of Soshi’s position being overthrown becomes more and more likely as the days pass by. Amane decides that she must take action and discover the truth, both for the people and herself.

One of my main qualms about Soshi’s relationship with Amane is that it’s described rather inconsistently over all the routes. In some stories, it says that they are half siblings, whereas others emphasise how forbidden their relationship is; implying that they’re completely related by blood. Then in Sera’s route, their family tree demonstrates that Soshi isn’t apart of the hierarchy at all. It’s only properly confirmed in Kagemitsu’s route that they’re indeed not related by blood, and Soshi was adopted into the family at a young age.

I was very confused, as I wanted to know if the nature of their relationship was truly incestuous. Although there are incest undertones as they do view one another as siblings and grew up in a familial relationship, it’s technically not truly ‘incest’ because they are not blood related. This definitely made it a lot easier to accept their relationship, because I personally do not feel comfortable with family romances. This ambiguity lies in the fault of the translations, and really should have been clarified considering his relationship with Amane plays an integral role within the overarching story.

I quite enjoyed Soshi’s route, as it definitely filled in all the missing elements that was prevalent within everyone else’s story. He is the ‘canon route’ of the game, and I highly recommend that you do NOT play his story first. Playing his story first completely ruins the concept of the game and storyline, and he honestly should not have been available to play. His story should have been unlocked only through the completion of everyone else’s routes. Without the build up of the other stories, his route doesn’t make much sense nor does it have the same impact.

It was frustrating for the majority of his route as he constantly pushes the heroine away from him, and acts coldly towards her on purpose. However, it was nice seeing him slowly open up to her and eventually unable to control his forbidden feelings. Everything he has done has been for the sake of the heroine and her happiness, and it explains why he easily concedes the throne in all the other routes and supports her no matter which guy she chooses.

I quite like the twist of his dual-identity and the nature behind the true leader of the rebellion, as it added a subtle complexity to the plot that I wasn’t expecting. His story is one of redemption, forgiveness and acceptance that his past mistakes with the empire do not condemn him for the rest of his life. Soshi’s route is rather tragic in comparison to the others, and I felt the writing and storyline could have been executed much better.

The revelation behind the twist and overarching plot was delved upon much better in Kagemitsu’s route, which doesn’t make much sense as it should have had the most wholesome explanation and conclusion in Soshi’s story.

However, I did like that the protagonist took a more proactive role within his route. I was really shocked at her attempted assassination, as although it was understandable; there was absolutely no build up towards it at all. It definitely could have been developed much better, and was an interesting facet of the route that fell short of its potential. Their relationship development felt the most fitting out of all the characters, as his presence is prevalent within all the routes and he is the reason as to why all the events in the story occur.

Design ★★★★

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I was actually genuinely impressed by the art and it is without a doubt the highlight of the game. I did not expect to see such clean and crisp character designs that were relatively consistent with the CGs. Although the bachelors in some CGs looked a little different in comparison to their character sprites, the small differences were honestly negligible. I really liked the heroine’s character design in The Charming Empire, and I genuinely felt she looked better than the bachelors in many of the CGs.

I did not expect so many CGs to be incorporated for a relatively short game, and that was a definite plus as the art was really lovely. I was more so impressed as the artist Mitsuya Fuji is relatively unknown and to my knowledge hasn’t illustrated for any other game titles. Their most notable work would probably be the Drama CD series for Rejet ‘Midnight Jiang Shi’ and you can watch the PV for it here.

The only downside to the art of the game were the obvious digital paintings for the backgrounds. They clearly used real life images/photographs and digitally edited them, in order to cut the costs of producing their own backgrounds. Although this is commonly seen in mobile games, it definitely doesn’t transition well onto a steam port. The character sprites looked noticeably distinct against the background, and distracted from the artwork. It looked pixellated and out of place in many of the images, which really took away from the overall feel and impression of the game.

Music and Voice Acting ★★★

The voice acting was another aspect that attracted me to the game, and it did not disappoint. It was nice to see Dogenzaka Lab finally incorporating voice acting into their games, in order to compete with the recent otome steam releases. One of the advertised highlights of ‘The Charming Empire’ was their feature of prolific voice actors for many of the characters. It definitely helped the game out a lot because without them bringing the characters to life, the storyline would have been even more monotonous and two-dimensional than it already was.

The voice actors really emulated their personalities perfectly, and I was impressed by the great audio quality. I really enjoyed Kei’s voice actor surprisingly enough, as I felt he really captured his adorable tsundere moments. The music on the other hand, was quite typical of an original mobile port and suffered from blatantly looped tracks. It wasn’t bad by any means, but there was also nothing good about it either.

I found myself turning down the music after the first twenty minutes of playing because the looping was so distracting. Although the BGMs are definitely an improvement from previous Dogenzaka Lab games, they incorporated so little tracks that it became incredibly repetitive to listen to by the end of the first playthrough. It was quite disappointing that the music definitely dragged down and hindered the great voice acting.

What I do commend is that they’ve definitely improved and addressed some aspects of the game that weren’t in their previous titles, such as incorporating sound effects. The game is also fully voiced, so even all the side characters have voices of their own (not including the MC, which is standard for otome titles).

True to their word, many of the characters are voiced by famous voice actors that have done previous work on some very popular otome games. As I mentioned earlier, I recognised Kakihara Tetsuya and Tsuda Kenjiro instantly from the trailer and they definitely convinced me to purchase the game.

  • Yoshimine Kei | VA: Masuda Toshiki増田 俊樹 |
    Taisho x Alice series as Kaguya, Marginal #4 series as Kirihara Atom, Haikyu!! as Chikara Ennoshita
  • Koichiro Sera | VA: Eguchi Takuya | 江口 拓也 |
    Taisho x Alice series as Gretel, Collar x Malice as Hoshino Kazuki, Danganronpa 3: The End of Hope’s Peak Academy as Sonosuke Izayoi
  • Kagemitsu Togawa | VA: Toyonaga Toshiyuki | 豊永 利行 |
    Marginal #4 series as Makishima Shy, Yuri!!! On Ice as Yuuri Katsuki
  • Tanba Toki | VA: Kakihara Tetsuya | 柿原 徹也 |
    Amnesia series as Shin, Code: Realize series as Viktor Frankenstein, Kenka Banchou Otome as Mirako Yuuta
  • Amazaki Soshi | VA: Tsuda Kenjirou | 津田 健次郎 |
    Yu-Gi-Oh series as Seto Kaiba, Hakuoki series as Chikage Kazama, Nightshade as Hanzo Hattori

System ★★★

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The system design and UI is quite nice for a mobile port title. It incorporates all the basic functions such as save/load slots, CG Gallery, skip, text speed etc. I would have preferred the save slots to be listed individually, rather than new slots appearing after every save. It was quite inconvenient to constantly scroll down to reload old saves, and felt rather clunky. I also disliked how even though I set the text skip to ‘already read’, this setting reseted every time I played a new route or re-opened the game.

The voice lists were a nice touch, although they weren’t anything impressive as the lines were very short for each character. I didn’t really expect too much out of the UI, as it was a mobile port. The character select and prologue options are reminiscent of a mobile game, as you would purchase their individual route and lock yourself into their story. If possible, I would have liked a scene recollection option for the CGs and a ‘jump’ button to skip to the next decision.

It would have been very helpful in replays of the route for the normal ending. I did like how fast the text skipping was, as it made replays much faster than usual in comparison to other games.

Conclusion

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In conclusion, I had really mixed feelings about the game. If you’re looking for a light-hearted and short read, with beautiful art and great voice acting then this is the title for you. The overarching plot is relatively simple, with a greater focus on the cute character moments and relationship development for the bulk of the game. It has a lot of CGs with every character, in spite of the short length. I can overlook a lot of the shortcomings of the game, if I consider the fact that it was originally a mobile port.

Although it can be considered quite pricey for the amount of game time you’re getting, it is still significantly cheaper than purchasing individual mobile routes and side stories. It also includes full voice acting, which is something rarely seen in mobile games. On that note, I wouldn’t recommend purchasing the game at full price considering the other titles in the steam store for the same price point; but with significantly more playtime. For example: Amnesia Memories, Nightshade and Nameless ~The one thing you must recall~ to name a few.

In spite of my criticisms of the game, I still found it enjoyable to play and read. It was a nice breather from the content-heavy and darker themed titles that I have been playing recently. Although it wasn’t by any means memorable, it still had some really cute moments here and there; coupled with the great art and solid voice acting. I surprisingly enjoyed Kei’s route, as the refreshing innocence of the two characters were really endearing over the course of the story.

However, if you’re looking for a game of immersive substance that is really worth your money in terms of content; then I would not recommend The Charming Empire. The routes mainly revolved around the same repetitive storyline that was prevalent in all the stories, with varying perspectives. Despite how similar and connected the stories were to one another, the bachelors made little to no appearances in the other character routes. This was very disappointing considering the game length, and it made it difficult to develop meaningful attachments towards the characters.

Although ‘The Charming Empire’ wasn’t without it’s faults, it was definitely a huge improvement overall from previous Dogenzaka Lab games and a good sign for better releases in future.

Overall Rating: 3/5

Written By Cherry